You will master the recording and post-production process, as well as the most innovative technologies associated with Audio Engineering"

The music industry generates, despite new ways of socializing its products, millions of dollars in profits every year. However, consumers are increasingly demanding and seek out sound materials with the highest audio quality and creative experimentation. To be able to implement the latest advances in the industry and make pieces of greater excellence, sound engineers must be highly prepared and fully handle the most advanced techniques and instruments. For this reason, TECH Global University has gathered the most cutting-edge resources and working methods in this field in a program of studies with 3 intensive modules and 6 months of duration. 

This Postgraduate diploma in Audio Engineering examines the most innovative calibration systems that can be applied to analyze noise, vibrations and other aspects of sound. It also addresses pressure, acoustic intensity, excitation sources, impedance and several other parameters. Furthermore, the syllabus focuses on microphones, providing exhaustive criteria on the choice and positioning of these instruments to capture sound information in the most appropriate way.

The curriculum of the program will allow each member of the student body to delve into the theoretical and practical bases of sound mixing techniques, audio editing, multichannel mixing and signal processing. Therefore, graduates will be able to play an essential role in the recording and production of music bands, podcasts, among others. 

All these study contents have been chosen in detail by a teaching staff with extensive professional experience and prestige. In addition to the materials, these experts have provided complementary readings, explanatory videos and interactivesummaries. The mastery of the advanced aspects of this syllabus will be developed in a ast, intensive and flexible way thanks to its 100% online methodology. The latter is based on the exclusive Relearning teaching system that allows the continuous reiteration of the most complex concepts.  

Make your way in the professional sphere of the acoustic industry with the updated contents of this Postgraduate diploma"

This Postgraduate diploma in Audio Engineering contains the most complete and up-to-date program on the market. The most important features include: 

• Development of case studies presented by experts in Acoustics engineering 
• The graphic, schematic and practical contents of the program provide technical and practical information on those disciplines that are essential for professional practice
• The practical exercises where the self-evaluation process can be carried out to improve learning
• Its special emphasis on innovative methodologies 
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments 
• Content that is accessible from any fixed or portable device with an Internet connection 

Looking for a program that fits your schedule and obligations? TECH provides you with academic rigor in an exclusive online format"

The program includes in its teaching staff professionals of the field who pour into this training the experience of their work, in addition to recognized specialists from reference societies and prestigious universities. 

Its multimedia content, developed with the latest educational technology, will allow the professional a situated and contextual learning, that is, a simulated environment that will provide an immersive training programmed to train in real situations. 

The design of this program focuses on Problem Based Learning, through which the professional must try to solve the different professional practice situations that arise during the academic year. For this purpose, the student will be assisted by an innovative interactive video system created by renowned experts.  

The multimedia resources of this program include explanatory videos, interactive summaries and other complementary materials"

Don't miss the opportunity to update your skills from anywhere in the world, with the portable device of your choice"

In three comprehensive academic modules, acoustic engineers will update their knowledge and skills in sound measurement and analysis, signal processing and recording in audio environments. The most advanced content on these subjects will be available on an interactive platform and in 100% online mode. In this way, students will be able to self-manage their academic schedules according to their availability and needs. Likewise, the program uses the case method and the Relearning didactic system to consolidate the mastery of complex concepts in a fast, flexible and effective way. 

Complete this academic itinerary in a fast and flexible way with TECH's disruptive and exclusive Relearning methodology"

Module 1. Pumping Stations

1.1. Noise

1.1.1. Noise Descriptors by Energy Content Assessment: LAeq, SEL
1.1.2. Noise Descriptors by Temporal Variation Assessment: LAnT
1.1.3. Noise Categorization Curves: NC, PNC, RC and NR

1.2. Pressure Measurement

1.2.1. Sound Level Meter. General Description, Structure and Operation by Blocks
1.2.2. Frequency Weighting Analysis. Networks A,C, Z
1.2.3. Temporal Weighting Analysis Slow, Fast, ImpulseNetworks
1.2.4. Integrating Sound Level Meter and Dosimeter (Laeq and SEL). Classes and Types. Regulations
1.2.5. Phases of Metrological Control Regulations
1.2.6. Calipers and Pistophones

1.3. Intensity Measurement

1.3.1. Intensimetry. Properties and Applications
1.3.2. Intensimetric Probes

1.3.2.1. Pressure/Pressure and pressure/Velocity Types

1.3.3. Calibration Methods. Uncertainties

1.4. Sources of Acoustic Excitation

1.4.1. Dodecahedral Omnidirectional Source. International Regulations
1.4.2. Airborne Impulsive Sources. Gun and Acoustic Balloons
1.4.3. Structural Impulsive Sources. Impact Machine

1.5. Vibration Measurement

1.5.1. Piezoelectric Accelerometers
1.5.2. Displacement, Velocity and Acceleration Curves
1.5.3. Vibration Analyzers. Frequency Weightings
1.5.4. Parameters and Calibration

1.6. Measuring Microphones

1.6.1. Types of Measuring Microphones

1.6.1.1. The Condenser and Pre-polarized Microphone. Basis of Operation

1.6.2. Design and Construction of Microphones

1.6.2.1. Diffuse Field, Random Field and Pressure Field

1.6.3. Sensitivity, Response, Directivity, Range and Stability
1.6.4. Environmental and Operator Influences. Measurement with Microphones

1.7. Acoustic Impedance Measurement

1.7.1. Impedance Tube Methods (Kundt): Standing Wave Range Method
1.7.2. Determination of Sound Absorption Coefficient at Normal Incidence. ISO 10534-2:2002 Transfer Function Method
1.7.3. Surface Method: Impedance Gun

1.8. Acoustic Measuring Chambers

1.8.1. Anechoic Chamber. Design and Materials
1.8.2. Semi-Anechoic Chamber. Design and Materials
1.8.3. Reverberation Chamber Design and Materials

1.9. Other Measurement Systems

1.9.1. Automatic and Autonomous Measurement Systems for Environmental Acoustics
1.9.2. Measurement Systems Using Data acquisition Cards and Software
1.9.3. Systems Based on Simulation Software

1.10. Uncertainty in Acoustic Measurement

1.10.1. Sources of Uncertainty
1.10.2. Reproducible and Non-Reproducible Measurements
1.10.3. Direct and Indirect Measurements

Module 2. Audio Signal Processing and Systems

2.1. Signals

2.1.1. Continuous and Discrete Signals
2.1.2. Periodic and Complex Signals
2.1.3. Random and Stochastic Signals

2.2. Series and Fourier Transform

2.2.1. Fourier Series and Fourier Transform. Analysis and Synthesis
2.2.2. Time Domain Versus Frequency Domain
2.2.3. Complex Variables and Transfer Function

2.3. Sampling and Reconstruction of Audio Signals

2.3.1. A/D Conversion

2.3.1.1. Sample Size, Coding and Sampling Rate

2.3.2. Quantization Error. Synchronization Error (Jitter)
2.3.3. D/A Conversion. Nyquist-Shannon Theorem
2.3.4. Aliasing Effect (Masking)

2.4. Frequency Response Analysis of Systems

2.4.1. Discrete Fourier Transform. DFT
2.4.2. The Fast Fourier Transform FFT
2.4.3. Bode Diagram (Magnitude and Phase)

2.5. Analog IIR Signal Filters

2.5.1. Filtering Types. HP, LP, PB
2.5.2. Filter Order and Attenuation
2.5.3. Q types. Butterworth, Bessel, Linkwitz-Riley, Chebysheb, EllipticTypes
2.5.4. Advantages and Disadvantages of Different Filtering

2.6. Analysis and Design of Digital Signal Filters

2.6.1. FIR (Infinite Impulse Response)
2.6.2. IIR (Infinite Impulse Response)
2.6.3. Design with Software Tools such as Matlab

2.7. Signal Equalization

2.7.1. EQ types. HP, LP, PB
2.7.2. EQ Slope (Attenuation)
2.7.3. EQ Q (Quality Factor)
2.7.4. EQ cut off (Cut Off Frequency)
2.7.5. EQ boost (Reinforcement)

2.8. Calculation of Acoustic Parameters Using Signal Analysis and Processing Software

2.8.1. Transfer Function and Signal Convolution
2.8.2. IR Curve (Impulse Response)
2.8.3. RTA (Real Time Analizer) Curve
2.8.4. Step ResponseCurve
2.8.5. RT 60, T30, T20 Curve

2.9. Statistical Presentation of Parameters in the Signal Processing Software

2.9.1. Signal Smoothing (Smoothing)
2.9.2. Waterfall
2.9.3. TR Decay
2.9.4. Spectrogram

2.10. Audio Signal Generation

2.10.1. Analog Signal Generators. Tones and Random Noise
2.10.2. Digital Pink and White Noise Generators
2.10.3. Tonal or Sweep Generators (sweep)

Module 3. Recording Systems and Studio Recording Techniques

3.1. The Recording Studio

3.1.1. The Recording Room
3.1.2. Design of Recording Rooms
3.1.3. The Control Room
3.1.4. Control Room Design

3.2. Recording Process

3.2.1. Pre-Production
3.2.2. Recording in the Studio
3.2.3. Postproduction

3.3. Technical Production in the Recording Studio

3.3.1. Roles and Responsibilities in Production
3.3.2. Creativity and Decision Making
3.3.3. Resource Management
3.3.4. Type of Recording
3.3.5. Room Types
3.3.6. Technical Equipment

3.4. Audio Formats

3.4.1. Audio File Formats
3.4.2. Audio Quality and Data Compression
3.4.3. Format Conversion and Resolution

3.5. Cables and Connectors

3.5.1. Electrical Wiring
3.5.2. Charging Wiring
3.5.3. Analog Signal Wiring
3.5.4. Digital Signal Wiring
3.5.5. Balanced, Unbalanced, Stereo and Monophonic Signal

3.6. Audio Interfaces

3.6.1. Functions and Characteristics of Audio Interfaces
3.6.2. Configuration and Use of Audio Interfaces
3.6.3. Choosing the Right Interface for Each Project

3.7. Studio Headphones

3.7.1. Structure
3.7.2. Types of Headphones
3.7.3. Specifications
3.7.4. Binaural Reproduction

3.8. The Audio Chain

3.8.1. Signal Routing
3.8.2. Recording Chain
3.8.3. Monitoring Chain
3.8.4. MIDI Recording

3.9. Mixer

3.9.1. Types of Inputs and Their Characteristics
3.9.2. Channel Functions
3.9.3. Mixers
3.9.4. DAW Controllers

3.10. Studio Microphone Techniques

3.10.1. Microphone Positioning
3.10.2. Microphone Selection and Configuration
3.10.3. Advanced Microphone Techniques

In just 6 weeks of 100% online academic experience you will acquire skills in areas related to the Integrated Environmental Management Plan with TECH Global University"