A comprehensive and 100% online program, exclusive to TECH, with an international perspective supported by our membership with The Design Society”

Men’s Fashion Design has undergone a remarkable transformation in recent decades. An increasing number of men are opting for bold, sophisticated, and innovative garments that allow them to stand out both professionally and personally. In response to this evolution, professionals in the sector must stay at the forefront and master the technical, aesthetic, and historical aspects of men's fashion. From fabrics and patterns to colors and graphic details, every element influences the perception of design and its acceptance within an increasingly demanding market.

Aware of these needs, TECH has developed this Master's Degree, which will delve into the most relevant aspects of Men’s Fashion Design. Through a comprehensive curriculum created by experts with extensive experience in the field, students will be provided with rigorous theoretical content along with practical tools for immediate application. Moreover, professionals will explore the fundamentals of design, artistic drawing, specialized pattern making, and textile sustainability criteria.

Additionally, the academic journey will be delivered in a 100% online format, allowing students to organize their study time autonomously. Thanks to this flexibility, students will be able to progress through the content at their own pace without sacrificing their work or personal commitments. The Relearning methodology will also ensure effective and dynamic learning, moving away from traditional memorization methods.

Thanks to TECH's membership with The Design Society (DS), students will become part of a global community dedicated to design and its study. They will have access to open-access publications and be able to participate in collaborative events. Additionally, the membership supports the maintenance of the society and its platforms, facilitating interaction and access to specialized resources for professional development in design.

You will learn to take anatomical measurements with precision and use them to create professional patterns adapted to the male body”

This Master's Degree in Men’s Fashion Design contains the most complete and up-to-date program on the market. The most important features include:

• The development of practical case studies presented by experts in Men’s Fashion Design
• The graphic, schematic, and eminently practical content is designed to provide scientific and practical information on the essential disciplines for professional practice
• Practical exercises where the self-assessment process can be carried out to improve learning
• Special emphasis on innovative methodologies in Men’s Fashion Design
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments
• Content that is accessible from any fixed or portable device with an internet connection

You will master the most innovative techniques in pattern making, sewing, and draping to create men's garments”

The teaching staff includes professionals from the field of Men’s Fashion Design, who bring their work experience to this program, as well as recognized specialists from leading societies and prestigious universities.

The multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide an immersive learning experience designed to prepare for real-life situations.

This program is designed around Problem-Based Learning, whereby the student must try to solve the different professional practice situations that arise throughout the program. For this purpose, the professional will be assisted by an innovative interactive video system created by renowned and experienced experts.

You will analyze consumer behavior and trends in the men's fashion market to design products that meet current needs”

A curriculum based on the disruptive Relearning system, which will make the assimilation of complex concepts quick and flexible”

The content of this Master's Degree will cover all the fundamental aspects for designers to develop the necessary skills to ideate and create men's garments that resonate with the public. To achieve this, the syllabus will encompass everything from pattern making and garment construction to the history of clothing, addressing key topics such as photography, design, textile technology, and innovative issues like sustainability in the sector.

You will design complete collections of Men's Fashion, considering functional, aesthetic, and commercial aspects”

Module 1. Fundamentals and Introduction to Design

1.1. Design History

1.1.1. Industrial Revolution
1.1.2. The Stages of Design
1.1.3. Architecture
1.1.4. The Chicago School

1.2. Design Styles and Movements

1.2.1. Decorative Design
1.2.2. Modernist Movement
1.2.3. Art Deco
1.2.4. Industrial Design
1.2.5. Bauhaus
1.2.6. World War II
1.2.7. Transvanguards
1.2.8. Contemporary Design

1.3. Designers and Trends

1.3.1. Interior Designers
1.3.2. Graphic Designers
1.3.3. Industrial or Product Designers
1.3.4. Fashion Designers

1.4. Design Methodology

1.4.1. Bruno Munari
1.4.2. Gui Bonsiepe
1.4.3. J. Christopher Jones
1.4.4. L. Bruce Archer
1.4.5. Guillermo González Ruiz
1.4.6. Jorge Frascara
1.4.7. Bernd Löbach
1.4.8. Joan Costa
1.4.9. Norberto Cháves

1.5. Language in Design

1.5.1. Objects and the Subject
1.5.2. Semiotics of Objects
1.5.3. The Object Layout and its Connotation
1.5.4. Globalization of Signs
1.5.5. Proposal

1.6. Design and its Aesthetic-Formal Dimension

1.6.1. Visual Elements

1.6.1.1. Form
1.6.1.2. Measure
1.6.1.3. Color
1.6.1.4. Texture

1.6.2. Relational Elements

1.6.2.1. Direction
1.6.2.2. Position
1.6.2.3. Space
1.6.2.4. Gravity

1.6.3. Practical Elements

1.6.3.1. Representation
1.6.3.2. Meaning
1.6.3.3. Function

1.6.4. Frame of Reference

1.7. Analytical Design Methods

1.7.1. Pragmatic Design
1.7.2. Analog Design
1.7.3. Iconic Design
1.7.4. Canonical Design
1.7.5. Main Authors and Their Methodology

1.8. Design and Semantics

1.8.1. Semantics
1.8.2. Meaning
1.8.3. Denotative Meaning and Connotative Meaning
1.8.4. Lexis
1.8.5. Lexical Field and Lexical Family
1.8.6. Semantic Relationships
1.8.7. Semantic Change
1.8.8. Causes of Semantic Changes

1.9. Design and Pragmatics

1.9.1. Practical Consequences, Abduction and Semiotics
1.9.2. Mediation, Body and Emotions
1.9.3. Learning, Experiencing and Closing
1.9.4. Identity, Social Relations and Objects

1.10. Current Design Context

1.10.1. Current Design Issues
1.10.2. Current Design Issues
1.10.3. Contributions on Methodology

Module 2. Pattern Making and Garment Construction

2.1. Pattern Making Introduction

2.1.1. Basic Concepts of Pattern Making
2.1.2. Tools and Materials in Pattern Making
2.1.3. Obtaining Anatomical Measurements
2.1.4. Measurement Tables
2.1.5. Types of Pattern Making
2.1.6. Industrialization of Models
2.1.7. Information That the Pattern Must Contain

2.2. Female Pattern

2.2.1. Skirt Base Pattern
2.2.2. Body Base Pattern
2.2.3. Trouser Base Pattern
2.2.4. Dress Base Pattern
2.2.5. Collars
2.2.6. Sleeves
2.2.7. Details

2.3. Male Pattern

2.3.1. Body Base Pattern
2.3.2. Trouser Base Pattern
2.3.3. Coat Base Pattern
2.3.4. Collars
2.3.5. Sleeves
2.3.6. Details

2.4. Children’s Pattern

2.4.1. Body Base Pattern
2.4.2. Trouser Base Pattern
2.4.3. Leotard Base Pattern
2.4.4. One-Piece Base Pattern
2.4.5. Sleeves
2.4.6. Collars
2.4.7. Details

2.5. Transformation, Development and Scaling of the Pattern

2.5.1. Transformation of Patterns
2.5.2. Development of Pattern Making
2.5.3. Scale and Full-Size Patterns

2.6. Introduction to Cutting and Tailoring

2.6.1. Introduction to Sewing
2.6.2. Tools and Materials in Sewing
2.6.3. The Cut
2.6.4. Sewing By Hand
2.6.5. Flat Machine Sewing
2.6.6. Types of Sewing Machines

2.7. Identifying Textiles

2.7.1. Flat Fabrics
2.7.2. Complex Fabrics
2.7.3. Technical Fabrics
2.7.4. Knitted Fabrics
2.7.5. Materials

2.8. Types of Sewing and Garment Transformation

2.8.1. Flat Seam
2.8.2. Interior Seam
2.8.3. Curved Seam
2.8.4. French Seam
2.8.5. Denim Seam
2.8.6. Overlock Seam
2.8.7. Ribbed Seam

2.9. Closures, Finishing and Textile Finishing

2.9.1. Fabric Dyeing
2.9.2. Buttons
2.9.3. Zippers
2.9.4. Appliques
2.9.5. Lining of the Piece
2.9.6. Trims
2.9.7. Ironed

2.10. Moulage

2.10.1. Preparation of the Mannequin
2.10.2. Research on the Mannequin
2.10.3. From Mannequin to Pattern
2.10.4. Modeling a Garment

Module 3. Photography

3.1. History of Photography

3.1.1. Background of photography
3.1.2. Color Photography
3.1.3. Photographic Film
3.1.4. The Digital Camera

3.2. Image Formation

3.2.1. Camera
3.2.2. Basic Parameters in Photography
3.2.3. Photometry
3.2.4. Lenses and Focal Length

3.3. Photographic Language

3.3.1. Types of Plans
3.3.2. Formal, Compositional and Interpretative Elements of the Photographic Image
3.3.3. Framing
3.3.4. Representation of Time and Movement in Photography
3.3.5. The Relationship of Photography with Reality and Truth

3.4. Camera

3.4.1. Analog and Digital Cameras
3.4.2. Simple Cameras
3.4.3. The Reflex Cameras
3.4.4. Basic Photographic Techniques
3.4.5. Exposure and Exposure Meters
3.4.6. The Digital Reflex Camera. The Sensor
3.4.7. The Handling of the Digital Camera versus the Analog Camera
3.4.8. Specific Aspects of Interest
3.4.9. Ways of Working with the Digital Camera

3.5. Digital Image

3.5.1. File Formats
3.5.2. White Balance
3.5.3. Color Temperature
3.5.4. Histogram Exposure in Digital Photography
3.5.5. Dynamic Range

3.6. The Behavior of Light

3.6.1. The Photon
3.6.2. Reflection and Absorption
3.6.3. Quantity and Quality of Light

3.6.3.1. Hard and Soft Light
3.6.3.2. Direct and Diffuse Light

3.7. Expressiveness and Aesthetics of Lighting

3.7.1. Shadows, Modifiers and Depth
3.7.2. Lighting Angles
3.7.3. Lighting Schemes
3.7.4. Light Measurement

3.7.4.1. The Photometer
3.7.4.2. Incident Light
3.7.4.3. Reflected Light
3.7.4.4. Measurement Over Several Points
3.7.4.5. Contrast
3.7.4.6. Medium Gray

3.7.5. Illumination Natural Light

3.7.5.1. Diffusers
3.7.6.2. Reflectors

3.7.6. Artificial Light Illumination

3.7.6.1. The Photographic Studio
3.7.6.2. Sources of Illumination
3.7.6.3. Cold Light
3.7.6.4. Studio Flash and Compact Flash
3.7.6.5. Accessories

3.8. Editing Software

3.8.1. Adobe Lightroom
3.8.2. Adobe Photoshop
3.8.3. Plugins

3.9. Photo Editing and Development

3.9.1. Camera RAW Development
3.9.2. Noise and Focus
3.9.3. Exposure, Contrast and Saturation Adjustments Levels and Curves

3.10. References and Applications

3.10.1. Most Important Photographers in History
3.10.2. Photography in Interior Design
3.10.3. Photography in Product Design
3.10.4. Photography in Fashion Design
3.10.5. Photography in Graphic Design

Module 4. Fashion Illustration

4.1. History of Illustration

4.1.1. History of Illustration
4.1.2. Types
4.1.3. The Poster
4.1.4. Illustrators

4.2. Materials and Mediums in Illustration

4.2.1. Materials
4.2.2. Mediums
4.2.3. New Technologies

4.3. Artistic Anatomy

4.3.1. Introduction to Artistic Anatomy
4.3.2. Head and Neck
4.3.3. Torso
4.3.4. Upper Limbs
4.3.5. Lower Limbs
4.3.6. The Movement

4.4. Proportion of the Human Body

4.4.1. Anthropometry
4.4.2. Proportion
4.4.3. Canons
4.4.4. Morphology
4.4.5. Proportion

4.5. Basic Composition

4.5.1. Front
4.5.2. Back
4.5.3. Profile
4.5.4. Foreshortenings
4.5.5. Movement

4.6. The Human Face

4.6.1. The Head
4.6.2. The Eyes
4.6.3. The Nose
4.6.4. The Mouth
4.6.5. The Eyebrows
4.6.6. The Ears
4.6.7. Hair

4.7. The Human Figure

4.7.1. Balance of the Body
4.7.2. The Arm
4.7.3. The Hand
4.7.4. The Foot
4.7.5. The Leg
4.7.6. The Bust
4.7.7. The Human Figure

4.8. Fashion Illustration Techniques

4.8.1. Traditional Technique
4.8.2. Digital Technique
4.8.3. Mixed Technique
4.8.4. Collage Technique

4.9. Illustration of Materials

4.9.1. Tweed
4.9.2. Patent Leather
4.9.3. Wool
4.9.4. Sequins
4.9.5. Transparency
4.9.6. Silk
4.9.7. Denim
4.9.8. Leather
4.9.9. Animal Fur
4.9.10. Other Materials

4.10. Finding Personal Style

4.10.1. Fashion Figure
4.10.2. Styling
4.10.3. Fashion Poses
4.10.4. Hairstyles
4.10.5. The Design

Module 5. History of Clothing

5.1. Prehistory

5.1.1. Introduction
5.1.2. Prehistoric Civilizations
5.1.3. Trade in Prehistoric Times
5.1.4. Costume in Prehistoric Times
5.1.5. Furs and Furshops
5.1.6. Fabrics and Techniques
5.1.7. Chronological Concordances and Similarities in Prehistoric Clothing

5.2. Ancient Times: Egypt and Mesopotamia

5.2.1. Egypt
5.2.2. The Assyrian People
5.2.3. The Persian People

5.3. Ancient Times: Classical Greece

5.3.1. Cretan Clothing
5.3.2. The Fabrics Used in Ancient Greece
5.3.3. Ancient Greek Garments
5.3.4. Ancient Greek Undergarments
5.3.5. Ancient Greek Footwear
5.3.6. Ancient Greek Hats and Headdresses
5.3.7. Colors and Ornaments of Ancient Greece
5.3.8. Accessories of Ancient Greece

5.4. Ancient Times: The Roman Empire

5.4.1. The Fabrics of Ancient Rome
5.4.2. The Garments of Ancient Rome
5.4.3. Undergarments of Ancient Rome
5.4.4. Ancient Roman Footwear
5.4.5. Ancient Roman Hats and Headdresses
5.4.6. Relationship of Social Status and Clothing in Ancient Rome
5.4.7. The Byzantine Style

5.5. High Middle Ages and Low Middle Ages

5.5.1. General Historical Features of the Medieval Period
5.5.2. Clothing at the Beginning of the Middle Ages
5.5.3. Clothing in the Carolingian Period
5.5.4. Clothing in the Romanesque Period
5.5.5. The Gothic Clothing

5.6. The Modern Age: Renaissance, Baroque and Rococo

5.6.1. 15th 16th Century: Renaissance
5.6.2. 17th Century: Baroque Period
5.6.3. 18th Century: Rococo

5.7. Contemporary Age: Neoclassicism and Romanticism

5.7.1. The Clothing Industry
5.7.2. Charles Frederick Worht
5.7.3. Jacques Doucet
5.7.4. Women's Clothing
5.7.5. Josephine Bonaparte: The Empire Style

5.8. Contemporary Age: Victorian Era and The Belle Époque

5.8.1. Queen Victoria
5.8.2. Men's Clothing
5.8.3. Dandy
5.8.4. Paul Poiret
5.8.5. Madeleine Vionnet

5.9. Contemporary Age: From Clothing to Fashion

5.9.1. New Context and Social Change
5.9.2. Fashion Designers
5.9.3. Coco Chanel
5.9.4. The New Look

5.10. Contemporary Age: The Century of Designers and Fashion

5.10.1. Modern Clothing
5.10.2. The Rise of American Designers
5.10.3. The London Scene

Module 6. Textile Technology

6.1. Introduction to Textiles

6.1.1. History of Textiles
6.1.2. Textiles Over Time
6.1.3. Traditional Textile Machinery
6.1.4. The Importance of Textiles in Fashion
6.1.5. Symbolism Used in Textile Materials
6.1.6. Fabric Technical Data Sheet

6.2. Textile Materials

6.2.1. Classification of Textile Fibers
6.2.1.1. Natural Fibers
6.2.1.2. Artificial Fibers
6.2.1.3. Synthetic Fibers
6.2.2. Properties of the Fibers
6.2.3. Recognizing Textile Fibers

6.3. Threads

6.3.1. Basic Ligaments
6.3.2. General Characteristics of Threads
6.3.3. Classification of Threads
6.3.4. Spinning Phases
6.3.5. Machines Used
6.3.6. Yarn Numbering Systems

6.4. Openwork Textiles

6.4.1. Openwork Fabrics
6.4.2. Ligament Staggering
6.4.3. Ligaments in Openwork Fabrics
6.4.4. Classification of Ligaments
6.4.5. Types of Ligaments
6.4.6. Types of Openwork Fabrics
6.4.7. The Openwork Weave
6.4.8. Special Weaves

6.5. Knitted Fabrics

6.5.1. History of Knitted Fabric
6.5.2. Classification
6.5.3. Types
6.5.4. Comparison Between Flat Fabric and a Knitted One
6.5.5. Characteristics and Behavior According to its Construction
6.5.6. Technology and Machinery for Obtaining It

6.6. Textile Finishes

6.6.1. Physical Finishes
6.6.2. Chemical Finishes
6.6.3. Fabric Resistance
6.6.4. Pilling
6.6.5. Dimensional Change of Fabrics

6.7. Dye

6.7.1. Previous Treatment
6.7.2. Dye
6.7.3. Equipment
6.7.4. Inputs
6.7.5. Optical Brightening
6.7.6. The Color

6.8. Printing

6.8.1. Direct Printing

6.8.1.1. Block Printing
6.8.1.2. Roller Printing
6.8.1.3. Thermotransfer Printing
6.8.1.4. Screen Printing
6.8.1.5. Warp Printing
6.8.1.6. Corrosion Printing

6.8.2. Reserve Printing

6.8.2.1. Batik
6.8.2.2. Tie-Dye

6.8.3. Other Types of Printing

6.8.3.1. Differential Printing
6.8.3.2. Polychromatic Electrostatic

6.9. Technical and Intelligent Fabrics

6.9.1. Definition and Analysis
6.9.2. Application of Textiles
6.9.3. New Materials and Technologies

6.10. Skin, Leather and Others

6.10.1. Skin and Leather
6.10.2. Classification of Leather
6.10.3. Tanning Process
6.10.4. Post-Tanning Treatment
6.10.5. Technological Process of Tanning
6.10.6. Conservation Methods
6.10.7. Synthetic Leather
6.10.8. Debate: Natural or Synthetic Leather

Module 7. Men's Pattern Making

7.1. Evolution of Men's Fashion

7.1.1. Social and Historical Context of Men's Fashion
7.1.2. The Renunciation of Ornamentation and the Reconquest of the Right to Fashion
7.1.3. History of Tailoring

7.2. Men’s Clothing

7.2.1. Typologies of Garments and Variations
7.2.2. Men's Accessories
7.2.3. Brand Analysis and Communication
7.2.4. Trends of the Moment

7.3. Male Morphology Study

7.3.1. Evolution of the Male Body
7.3.2. Studies of the Male Body
7.3.3. Typology of the Male Body

7.4. Pattern of the Shirt

7.4.1. Measurements
7.4.2. Tracing
7.4.3. Variations

7.5. Trouser Pattern

7.5.1. Measurements
7.5.2. Tracing
7.5.3. Variations

7.6. Jacket Layout

7.6.1. Measurements
7.6.2. Tracing
7.6.3. Variations

7.7. Jacket Lapel Designs

7.7.1. Measurements
7.7.2. Tracing
7.7.3. Variations

7.8. Vest Pattern

7.8.1. Measurements
7.8.2. Tracing
7.8.3. Variations

7.9. Male Coat

7.9.1. Measurements
7.9.2. Tracing
7.9.3. Variations

7.10. Traditional Tailoring

7.10.1. Materials
7.10.2. Lining
7.10.3. Assembly
7.10.4. Stitches

Module 8. Representation Systems Applied to Fashion

8.1. Introduction to the Technical Drawing of Fashion

8.1.1. How and When Technical Drawings Are Used
8.1.2. How to Create Technical Drawings for Fashion
8.1.3. Drawing From a Physical Garment
8.1.4. Technical Guidelines in Fashion

8.2. Documentation Preparation

8.2.1. Preparing the Document for Technical Drawing
8.2.2. Anatomical Base Mannequin
8.2.3. Color, Texture and Prints

8.3. Lower Body Garments

8.3.1. Skirts
8.3.2. Trousers
8.3.3. Stockings

8.4. Upper Body Garments

8.4.1. Shirts
8.4.2. T-Shirts
8.4.3. Vests
8.4.4. Jackets
8.4.5. Coats

8.5. Underwear Garments

8.5.1. Bra
8.5.2. Briefs
8.5.3. Underpants

8.6. Details of the Model

8.6.1. Neckline
8.6.2. Collars
8.6.3. Sleeves
8.6.4. Cuffs
8.6.5. Pockets

8.7. Design Details

8.7.1. Construction Details
8.7.2. Decorative Design Details
8.7.3. Pleats
8.7.4. Seams
8.7.5. Stitches
8.7.6. Binding

8.8. Fasteners and Trimmings

8.8.1. Zippers
8.8.2. Buttons
8.8.3. Hooks
8.8.4. Ribbons
8.8.5. Knots
8.8.6. Buttonholes
8.8.7. Velcro
8.8.8. Eyelets
8.8.9. Loops
8.8.10. Studs
8.8.11. Rivets
8.8.12. Rings
8.8.13. Buckles

8.9. Accessories

8.9.1. Bags
8.9.2. Glasses
8.9.3. Footwear
8.9.4. Jewelry

8.10. The Technical Data Sheet

8.10.1. Technical Drawing Export
8.10.2. Information of the Technical Data Sheet
8.10.3. Models and Types of Technical Data Sheet
8.10.4. Completing a Technical Data Sheet

Module 9. Fashion Design

9.1. Methodology of Fashion Design

9.1.1. Concept of a Fashion Project
9.1.2. Project Methodology Applied to Fashion
9.1.3. Research Methods in Fashion Design
9.1.4. The Design Brief or Design Request
9.1.5. Documentation
9.1.6. Analysis of Current Fashion
9.1.7. Forming Ideas

9.2. Creative Processes Applied to Fashion Design

9.2.1. The Field Notebook
9.2.2. Moodboard
9.2.3. Graphic Research
9.2.4. Creative Techniques

9.3. Referrals

9.3.1. Commercial Fashion
9.3.2. Creative Fashion
9.3.3. Stage Fashion
9.3.4. Corporative Fashion

9.4. Collection Concept

9.4.1. Functionality of the Garment
9.4.2. Clothing as a Message
9.4.3. Ergonomic Concepts

9.5. Stylistic Codes

9.5.1. Permanent Stylistic Codes
9.5.2. Seasonal Stylistic Codes
9.5.3. The Search for Personal Stamp

9.6. Collection Development

9.6.1. Theoretical Framework
9.6.2. Context
9.6.3. Research
9.6.4. Referrals
9.6.5. Conclusions
9.6.6. Representation of the Collection

9.7. Technical Study

9.7.1. Textile Chart
9.7.2. Chromatic Chart
9.7.3. The Glaze
9.7.4. The Technical Data Sheet
9.7.5. Prototype
9.7.6. Price Tag

9.8. Interdisciplinary Projects

9.8.1. Drawing
9.8.2. Pattern Making
9.8.3. Sewing

9.9. Production of a Collection

9.9.1. From Sketch to Technical Drawing
9.9.2. Artisanal Workshops
9.9.3. New Technologies

9.10. Communication and Presentation Strategy

9.10.1. Photography in Fashion Lookbook, Editorial and Campaign
9.10.2. Portfolio
9.10.3. The Catwalk
9.10.4. Other Forms of Exhibiting the Collection

Module 10. Sustainability in Fashion

10.1. Reconsidering Fashion Design

10.1.1. The Supply Chain
10.1.2. Key Aspects
10.1.3. Development of Sustainable Fashion
10.1.4. The Future of Fashion

10.2. Life Cycle of an Item of Clothing

10.2.1. Think in the Life Cycle
10.2.2. Actions and Impact
10.2.3. Evaluation Tools and Models
10.2.4. Strategies for Sustainable Design

10.3. Quality and Safety Standards in the Textile Sector

10.3.1. Quality
10.3.2. Labeling
10.3.3. Safety of Garments
10.3.4. Consumption Inspections

10.4. Planned Obsolescence

10.4.1. Planned Obsolescence and Waste of Electrical and Electronic Devices
10.4.2. Extraction of Resources
10.4.3. Waste Generation
10.4.4. Recycling and Reusing Electrical Waste
10.4.5. Responsible Consumption

10.5. Sustainable Design

10.5.1. Garment Design
10.5.2. Design With Empathy
10.5.3. Selection of Fabric, Materials and Techniques
10.5.4. Use of Monomaterials

10.6. Sustainable Production

10.6.1. Sustainable Production
10.6.2. Techniques For Zero Waste
10.6.3. Construction
10.6.4. Design to Last

10.7. Sustainable Distribution

10.7.1. Suppliers and Producers
10.7.2. Commitment to Local Communities
10.7.3. Sales
10.7.4. Design According to Need
10.7.5. Inclusive Fashion Design

10.8. Sustainable Use of the Garment

10.8.1. Patterns of Use
10.8.2. How to Reduce Washing
10.8.3. Adjustments and Maintenance
10.8.4. Design for Adjustments
10.8.5. Modular Garment Design

10.9. Recycling

10.9.1. Reusing and Remanufacturing
10.9.2. Revaluing
10.9.3. Recycling Materials
10.9.4. Closed Cycle Production

10.10. Sustainable Fashion Designers

10.10.1. Katharine Hamnett
10.10.2. Stella McCartney
10.10.3. Annika Matilda Wendelboe
10.10.4. Susan Dimasi
10.10.5. Isabell de Hillerin

You will deepen your understanding of Men’s Fashion Design, comprehending its historical, social, and cultural particularities”