Get inspired by Chicago School architecture to create a timeless collection”

In the fashion world, new designers are constantly emerging, setting trends and innovating in their work. Although many pursue success, the fundamental thing will be to present a project that is perfectly executed, meaning planned, organized and carried out following an adequate methodology that respects the language of design.

This is why this course is an excellent opportunity to learn about the historical evolution of fashion, which has laid the foundations of current catwalks. This way, a journey through the styles and movements of design will begin, starting with the modernist proposal and Art Deco, passing through the changes after the Second World War. Likewise, an analysis of the different design methodologies that have helped the great exponents of the sector to obtain maximum results with minimum effort will be provided. 

Therefore, by completing this program, students will be able to plan and create their own projects, understanding the different methodologies applied to this sector. That way, students will become versatile, organized, creative and, above all, capable of creating unique pieces for different audiences.

Plan and create new collections you are passionate about by mastering the graphic elements of sketching"

This Postgraduate certificate in Design Projects contains the most complete and up-to-date program on the market. Its most notable features are:

• The development of practical cases presented by experts in Video Fashion Design
• The graphic, schematic and practical contents with which they are created, gather theoretical and practical information on those disciplines that are essential for professional practice
• Practical exercises where the self-assessment process can be carried out to improve learning 
• Special emphasis on innovative methodologies for creating Design Projects  
• Theoretical lessons, questions to the expert, debate forums on controversial topics, and individual reflection assignments 
• Content that is accessible from any fixed or portable device with an Internet connection

Twentieth century architecture can become your best source of inspiration for your next design project”

The program’s teaching staff includes professionals from the sector who contribute their work experience to this program, as well as renowned specialists from leading societies and prestigious universities. 

The multimedia content, developed with the latest educational technology, will provide the professional with situated and contextual learning, i.e., a simulated environment that will provide immersive education programmed to learn in real situations. 

This program is designed around Problem-Based Learning, whereby the professional must try to solve the different professional practice situations that arise during the academic year. For this purpose, the student will be assisted by an innovative interactive video system created by renowned and experienced experts.    

Know the techniques and observation strategies to represent your ideas on paper”

Fashion can help you express yourself and reach the pinnacle of success”

This Postgraduate certificate content covers, in a structured way, all the areas of knowledge that fashion professionals need to know in-depth, including the most interesting news and updates in the sector. Therefore, the tour will begin in the Industrial Revolution, as it allowed fashion to develop very quickly. Students will also learn about different trends, such as Art Deco, and the technical basics of drawing to create a perfect sketch. 

By learning about movement and dance, you will be able to bring your sketches to life”

Module 1. Fundamentals of Design

1.1. History of Design

1.1.1. Industrial Revolution
1.1.2. The Stages of Design
1.1.3. Architecture
1.1.4. The Chicago School

1.2. Styles and Movements of Design

1.2.1. Decorative Design
1.2.2. Modernist Movement
1.2.3. Art Deco
1.2.4. Industrial Design
1.2.5. The Bauhaus
1.2.6. World War II
1.2.7. Transavantgarde
1.2.8. Contemporary Design

1.3. Designers and Trends

1.3.1. Interior Designers
1.3.2. Graphic Designers
1.3.3. Industrial or Product Designers
1.3.4. Fashion Designers

1.4. Project Design Methodology

1.4.1. Bruno Munari
1.4.2. Gui Bonsiepe
1.4.3. J. Christopher Jones
1.4.4. L. Bruce Archer
1.4.5. Guillermo González Ruiz
1.4.6. Jorge Frascara
1.4.7. Bernd Löbach
1.4.8. Joan Costa
1.4.9. Norberto Chaves

1.5. The Language of Design

1.5.1. Objects and the Subject
1.5.2. Semiotics of Objects
1.5.3. The Object Layout and its Connotation
1.5.4. Globalization of the Signs
1.5.5. Proposal

1.6. Design and its Aesthetic-Formal Dimension

1.6.1. Visual Elements

1.6.1.1. The Shape
1.6.1.2. The Measure
1.6.1.3. Color
1.6.1.4. Texture

1.6.2. Relationship Elements

1.6.2.1. Management
1.6.2.2. Position
1.6.2.3. Spatial
1.6.2.4. Severity

1.6.3. Practical Elements

1.6.3.1. Representation
1.6.3.2. Meaning
1.6.3.3. Function

1.6.4. Frame of Reference

1.7. Analytical Methods of Design

1.7.1. Pragmatic Design
1.7.2. Analog Design
1.7.3. Iconic Design
1.7.4. Canonical Design
1.7.5. Main Authors and Their Methodology

1.8. Design and Semantics

1.8.1. Semantics
1.8.2. Meaning
1.8.3. Denotative Meaning and Connotative Meaning
1.8.4. Lexis
1.8.5. Lexical Field and Lexical Family
1.8.6. Semantic Relationships
1.8.7. Semantic Change
1.8.8. Causes of Semantic Changes

1.9. Design and Pragmatics

1.9.1. Practical Consequences, Abduction and Semiotics
1.9.2. Mediation, Body and Emotions
1.9.3. Learning, Experiencing and Closing
1.9.4. Identity, Social Relations and Objects

1.10. Current Context of Design

1.10.1. Current Problems of Design
1.10.2. Current Themes of Design
1.10.3. Contributions on Methodology

Module 2. Artistic Drawing

2.1. History of Drawing

2.1.1. The Origin of Drawing
2.1.2. The First Drawings
2.1.3. Egyptian Era
2.1.4. Greek Culture
2.1.5. Middle Ages
2.1.6. The Renaissance
2.1.7. Modern Era

2.1.7.1. Futurism
2.1.7.2. Cubism
2.1.7.3. Expressionism
2.1.7.4. Surrealism

2.1.8. Digital Art

2.2. Materials and Supports

2.2.1. Traditional Materials
2.2.2. Non-Traditional Materials
2.2.3. Drawing Materials
2.2.4. Industrial Materials
2.2.5. Alternative Materials
2.2.6. Drawing Supports

2.3. Relationship of Art and Drawing

2.3.1. Painting
2.3.2. Sculpture
2.3.4. Music
2.3.5. Dance
2.3.5. Literature
2.3.6. Cinema

2.4. The Basic Elements of Drawing

2.4.1. The Line and the Dot
2.4.2. The Shape
2.4.3. Light and Shadow
2.4.4. Volume
2.4.5. The Proportion
2.4.6. The Outlook
2.4.7. Texture
2.4.8. Color

2.5. Drawing Classification

2.5.1. Artistic Drawing
2.5.2. Technical Drawing
2.5.3. Geometric Drawing
2.5.4. Mechanical Drawing
2.5.5. Architectural Drawing
2.5.6. Cartoons
2.5.7. Freehand Drawing 

2.6. Fit, Proportion, Chiaroscuro, Composition & Color

2.6.1. Lace
2.6.2. Proportion
2.6.3. Chiaroscuro
2.6.4. Composition
2.6.5. Color

2.7. Shape Analysis I: Flat Vision

2.7.1. The Outlook
2.7.2. Hierarchical Perspective
2.7.3. Military Perspective
2.7.4. Perspective from a Gentleman's Perspective
2.7.5. Axonometric Perspective
2.7.6. Conical Perspective

2.8. Form Analysis II. Three-Dimensional Vision

2.8.1. Monocular Three-Dimensionality: The Flat Image
2.8.2. Monocularity Efficacy
2.8.3. Stereopsis
2.8.4. Stereopsis Simulation and Measurement

2.9. Expression and Representation Techniques in the Design Process

2.9.1. Mental Map
2.9.2. Graphic Reports
2.9.3. Illustration
2.9.4. Comic Book
2.9.5. Storyboards

2.10. The Importance of Drawing for the Human Being

2.10.1. Freedom of Thought and Expression
2.10.2. Communication Skills
2.10.3. Artistic Sensitivity
2.10.4. Invention, Imagination and Creativity

A unique, key and decisive training experience to boost your professional development”